17.03.2016 16:57
Thanks 
In fact I meant to help that genious guy, not myself. We risk a theft anytime we share something, but nobody can hear us if we don't share anything. And if fear of loss makes us hide more and more for ourselves, we progressively flee the chance to be heard. Notice how your friend "left nothing" and "lost everything" but still fears to "lose something". It spins the wrong way! But he can make a compilation of unstealable bits to show producers. They need his music and they don't need to hear a whole piece to know the character. If he lost hope, he should trust the physics. A nuclear bomb explodes at critical mass, never before, what means two things: multiple attempts might fail, but one extra try might be extremely important. When looking for a stay in Budapest I asked 64 people and only the last one agreed to host me. If I had given up at 63th, I would be convinced it didn't work, and possibly never try again. But it did work, and we saw the Matias church from The Experiment 3.2 in real life.
I myself cannot say much about destructive passion, I rather found lack of passion destructive. I expect thieves to steal, so I won't mind if they do, as long as I have something to eat and a place to write. Even if only 1/100 of what I ever make will bring me money, even if someone will use my music in order to get filthy rich, I don't care because whatever I wanted to tell is getting heard, the entire point achieved. I got rid of any need for property, or profit, or success. I'm free except from that "forced mission" to compose, which doesn't originate from pursuing any success, but from having stuff in my head nobody else will ever write and I would hate it getting wasted. Of course I know things might go wrong but they only really will if I give up or if I suddenly die, only in that moment all gets destroyed, that's why I have two goals, to survive and to write all as long as I'm here, nothing else matters that much. And yes, music industry is vicious, I heard the same about film industry, so film music must be total mess as a combination of both. But I also don't mind it, I accept and do my stuff anyway. Don't worry, no matter what you say you cannot hold me back, only I am capable of doing such nonsense.
In short: you talk to that friend of yours and force him to try one more time. There's nothing except from himself preventing him from trying once more, and he won't lose anything if he does. My father wrote his first song when his friend locked him in a tool storage and didn't let him out until the song is ready. Stanisław Moniuszko, our great opera writer, did the same to his lyrics producer until he got a ready libretto of "Halka"... and I sometimes wish somebody did this to me.
They listen to advice from people who have completely different backgrounds, aspirations, motivations and personalities.
Oh, this is good, it causes new combinations. One guy went into film music by following a dubstep tutorial. One small dubstep for man...
wait...
OH SHI*... I left a kettle of water boiling in the kitchen for an hour, I totally forgot about it... talk about too much internet, that was a step from disaster...
right, I'm back... the kettle isn't burnt... what was I saying? These two tracks you uploaded are among the best, if not THE best electrical ones I heard from you - the effects are really creative and diverse, the blend is seamless and the mix is cleaner than whatever I made. Listened to it three times already and I don't have enough of it, and the dog doesn't mind either. I literally hear The Bells as a missing track from BtB 2010, with Lara grabbing the Vespa and jumping over Venetian rooftops so I book this as a vehicle theme for my Advent level, unless you have other plans for it as well
And here's another happy coincidence, a road worker team has been ripping our pavement apart with help of a pneumatic hammer, and when I opened your file I heard identical frequencies and pattern uploaded just minutes later...
Strangeways might have been composed for orchestra but they do very good as an electric track. I would risk a statement it could even be boring if orchestrated, and now it's just fine. Possibly this is because it's not that frequent to actually hear extensive melodic and harmonic content in synth tracks, some people just put in a bunch of chords and that's all, while here we have multiple layers... I heard these waves from different parts of the world, like S3rl or DJ Delirium, but you are yet something different, more peaceful (yea I mean it) and spacious.
In fact I meant to help that genious guy, not myself. We risk a theft anytime we share something, but nobody can hear us if we don't share anything. And if fear of loss makes us hide more and more for ourselves, we progressively flee the chance to be heard. Notice how your friend "left nothing" and "lost everything" but still fears to "lose something". It spins the wrong way! But he can make a compilation of unstealable bits to show producers. They need his music and they don't need to hear a whole piece to know the character. If he lost hope, he should trust the physics. A nuclear bomb explodes at critical mass, never before, what means two things: multiple attempts might fail, but one extra try might be extremely important. When looking for a stay in Budapest I asked 64 people and only the last one agreed to host me. If I had given up at 63th, I would be convinced it didn't work, and possibly never try again. But it did work, and we saw the Matias church from The Experiment 3.2 in real life.
I myself cannot say much about destructive passion, I rather found lack of passion destructive. I expect thieves to steal, so I won't mind if they do, as long as I have something to eat and a place to write. Even if only 1/100 of what I ever make will bring me money, even if someone will use my music in order to get filthy rich, I don't care because whatever I wanted to tell is getting heard, the entire point achieved. I got rid of any need for property, or profit, or success. I'm free except from that "forced mission" to compose, which doesn't originate from pursuing any success, but from having stuff in my head nobody else will ever write and I would hate it getting wasted. Of course I know things might go wrong but they only really will if I give up or if I suddenly die, only in that moment all gets destroyed, that's why I have two goals, to survive and to write all as long as I'm here, nothing else matters that much. And yes, music industry is vicious, I heard the same about film industry, so film music must be total mess as a combination of both. But I also don't mind it, I accept and do my stuff anyway. Don't worry, no matter what you say you cannot hold me back, only I am capable of doing such nonsense.
In short: you talk to that friend of yours and force him to try one more time. There's nothing except from himself preventing him from trying once more, and he won't lose anything if he does. My father wrote his first song when his friend locked him in a tool storage and didn't let him out until the song is ready. Stanisław Moniuszko, our great opera writer, did the same to his lyrics producer until he got a ready libretto of "Halka"... and I sometimes wish somebody did this to me.
They listen to advice from people who have completely different backgrounds, aspirations, motivations and personalities.
Oh, this is good, it causes new combinations. One guy went into film music by following a dubstep tutorial. One small dubstep for man...
wait...
OH SHI*... I left a kettle of water boiling in the kitchen for an hour, I totally forgot about it... talk about too much internet, that was a step from disaster...
right, I'm back... the kettle isn't burnt... what was I saying? These two tracks you uploaded are among the best, if not THE best electrical ones I heard from you - the effects are really creative and diverse, the blend is seamless and the mix is cleaner than whatever I made. Listened to it three times already and I don't have enough of it, and the dog doesn't mind either. I literally hear The Bells as a missing track from BtB 2010, with Lara grabbing the Vespa and jumping over Venetian rooftops so I book this as a vehicle theme for my Advent level, unless you have other plans for it as well
And here's another happy coincidence, a road worker team has been ripping our pavement apart with help of a pneumatic hammer, and when I opened your file I heard identical frequencies and pattern uploaded just minutes later...Strangeways might have been composed for orchestra but they do very good as an electric track. I would risk a statement it could even be boring if orchestrated, and now it's just fine. Possibly this is because it's not that frequent to actually hear extensive melodic and harmonic content in synth tracks, some people just put in a bunch of chords and that's all, while here we have multiple layers... I heard these waves from different parts of the world, like S3rl or DJ Delirium, but you are yet something different, more peaceful (yea I mean it) and spacious.